In a nutshell, due to loads of positive feedback (not the microphone kind) after my performance reading from White Feathers at the Listowel Writers Week open mike, where I had to wait my turn for a brief slot and then allow myself to be possessed by the unlovely Mrs Humphrey Ward in the middle of her rant, I have decided to podcast readings from the book.
(This is due to the dearth of Irish literary festivals to which I have been invited to read or speak. I can either sit and wait my turn like a good girl, or I can make a ****ing podcast instead and get on with it!)
God Only Knows (How All This Stuff Works)
So, not knowing much about podcasts and realising I needed some equipment, I received an early birthday present from my beloved in the shape of a Blue Yeti USB Microphone. This is a very large microphone shaped in a very not-safe-for-work fashion. It also came with some software, and I had some fun with it. But God Almighty, you’d need to have a degree in engineering to know what’s going on. I did a brief vocal test with the tag end of God Only Knows which didn’t sound too bad.
Less successful were my attempts to record myself playing the piano. Of course I am not trying to record piano, I am trying to record my voice 🙂 but this piece, Chopin’s Waltz 69 no. 1, was always one I kept in mind for a character in White Feathers, Eva’s ailing sister Imelda. I had a whole big chunk of Imelda’s time in Switzerland written down, which never saw the light of day, but that piece was being played and it’s always the piece I have in mind for that character, and I feel a certain yearning to it. But unfortunately even with plugins to make it recital setting, the piano quality isn’t what I’d like. Still, here is the first page of it, played somewhat inexpertly by yours truly on a Yamaha Clavinova 🙂